“Remnants” (2015) – a new fibre art piece

"Remnants" (2015) 10" x 14" ntutally dyed and eco dyed cotton, naturally dyed cotton, silk and wool threads, hand stitching

“Remnants”
(2015)
10″ x 14″
naturally dyed and eco dyed cotton, naturally dyed cotton, silk and wool threads, hand stitching, lino cut bull skull

“Remnants” is finally finished. This fibre art piece, started in late October or early November has been a journey. Originally it was to be a small lino cut skull printed on naturally dyed fabric and then embellished by beads. As I worked on the piece the idea grew to a larger piece that incorporated eco printed fabric ( the leaf imprints), took on a landscape concept, and relied on hand stitching to create the image. The idea of beading was completely abandoned; too fancy for this piece.

This piece has a roughness about it. Raw edges. Rough fabric. Lopi tacked down. Fabrics dyed with marigold and tansy; dyes from the earth. It is a rugged piece, rugged like the prairies. Inspired by farms down dirt roads with skulls tacked on fences and adorning sheds, the bits left behind, and remnants of the past.

Art by Debra Hunter
www.debra-hunter.com

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“The Star Money” (2014) – new fibre art piece completed

 the star money

“The Star Money” 17″x17″ (2014) naturally hand-dyed silk and cotton with glass beads

Last night I finished “The Star Money”, a piece based on the Grimm’s Fairy Tale of the same name. The base of hand-dyed silk is embroidered with cotton and silk threads (again hand-dyed) and glass seed beads. In viewing the piece in person in shimmers as the light hits the piece due to the glass beads and the texture of the silk.

I think it is interesting to interpret a folk tale using folk techniques. Originally these tales would have been shared in homes in a day where cloth was stitched by hand, just as this piece was.

It is a whimsical piece with the homespun feel of the folk tale.

I suspect this could be a theme I may continue with, after all I have 210 Grimm’s Fairy Tales to choose from.

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Artwork by Debra Hunter
Red Deer, Alberta, Canada
www.thehuntergroup.ca

Prairie Dawn (2013)

"Prairie Dawn" 2013

“Prairie Dawn” (2013)

dimensions:  main section of stitched and beaded silk – 18.5″ x 10″ overall dimensions including mounting – 29″ x 14.5″

medium:  fibre art

materials: silk fabric, cotton fabric, wool yarn, cotton thread, bamboo thread, silk thread, glass beads, wire, jute, arbutus driftwood

“Prairie Dawn” is the ultimate “close to home” piece of art. The topic of the piece is a typical Alberta landscape complete with a straight horizon and patchwork fields. The natural fabrics and threads that form the piece have been dyed by hand in micro-batches of home-made dyes; and when I say micro, I mean micro….some of the batches are 2-3 feet of string….that’s it. The dyes have been made with tansy, strawberry, cranberry, blueberry, turmeric, marigold, arbutus bark, blackberry, cutch and madder. The marigold used as a dye stuff was harvested from my garden, the arbutus bark was collected from beneath our tree in our place in British Columbia, and the tansy was collected from ditches that run alongside fields just like those depicted in the piece. “Prairie Dawn” is mounted on a piece of arbutus driftwood suspended by wire reminding me of the barbed wire fences that criss-cross our local landscape. “Prairie Dawn” embraces the hand-made and home-grown attitude of early rural Alberta.

Beading detail in the rising sun.

Beading and stitching detail in the fields.

“Flower Garden” (2013)

flower garden blog” Flower Garden” (2013)

dimensions : 16 inches by 20 inches

media: silk hand dyed with hand-crafted natural dyes, embellished with cotton, bamboo and silk thread, and accented with glass beads

flower garden detail

 

“Flower Garden” is a fun piece, a little folk-artsy, a little child-like, and a whole lot of beads. The red beads in the border total just under 2800 beads alone….I didn’t work out how many beads the whole piece contains, I’m not quite that insane. Unfortunately the little pictures in the blog don’t really show the texture, the shimmer, and the detail the piece contains; it is a piece that really needs to be seen (and touched) in person.